cine-mostra

domingo, 4 de fevereiro de 2018

cine-mostra

Museologia e Cinema: diálogos possíveis

Por serem instrumentos de representação da imagem do “outro”, a Mostra busca conhecer e reconhecer os usos e as potencialidades entre as múltiplas convergências nos discursos e estéticas da Museologia e do Cinema. Desde o seu nascedouro, o cinema inspira-se ou trata dos museus para contar histórias. Os museus, por sua vez, atribuem ao cinema o instituto de património cultural e busca inspiração nos seus conteúdos para construir suas narrativas. Um diálogo intelectual profícuo que nos inspira a ir mais longe nesse debate.

Terça, Lisboa. Campo Grande, 6/2/2018 14h30 - 18h30

Mostra de Museologia e Cinema - ULHT

04.02.2018

SOCIOMUSEOLOGY AND HYPERCONECTED LIVES

This is our proposal for the debate at the 3rd MUSACINE - MUSEOLOGY AND CINEMA SHOW. We accept the challenge of the theme for International Museum Day proposed by the International Council of Museums (ICOM): to think about new approaches and new audiences for a world of "hyperlinked museums". However, instead of museums in sociotechnical networks, we propose the fabrication of a mesh of eco-systemic, holistic, relational, procedural museums. Museums rhizomes, to spread themselves as living organisms in interactive movements, in constant formation-transformation. Museums of an enabling past, a revolutionary gift and a transforming becoming of our being-living-coexisting with human life, with nature, with the cosmos. We propose a hyperconnected museology to life.
Life-lines-intertwined, nature-culture, to form the texture of the world. Life that does not form as a network, but as a meshwork, woven with lifelike vividness, generated and regenerated in perpetual motorcycle. Tangles of life-lines that wander and inhabit a truly open world, to compose earth-sky-wind-time. Human and nonhuman lives entwined, weaving in their footsteps the lines of their own movements, tracing the history of a world-in-formation-transformation. Relational and procedural life ... together!

3a MUSACINE - MUSEOLOGY AND CINEMA SHOW

Date - Time
06/02/18 - 2:30 p.m. to 6:30 p.m.

Place of realization
ULHT - Amphitheater S.0.11 - Campo Grande, 376, Lisbon

Curatorship and Organization
Profa. Doute Judite Primo, Anna Zidannes (Mastermind Museology / ULHT), Cristina Lara Corrêa, Luzia Gomes and Vânia Brayner (Doctorate Museology / ULHT)

Achievement
Unesco Chair / ULHT - Education, Citizenship and Cultural Diversity
Department of Museology - Graduate Program

SELECTED FILMS

IAUARETÊ, THE WATERFALL OF THE WAVES
Country of Production and Production: Brazil
Director: Vincent Carreli Production: Video in the Villages
Duration: 48 'Year: 2006

The documentary brings together narratives of indigenous leaders from upper Rio Negro on the meanings and teachings contained in this landscape, revealing their efforts and their struggle to strengthen and legitimize indigenous traditions. A mythical account illustrated in the stones of a waterfall, the reconstruction of a great maloca and the attempt to recover objects for years kept in a museum in Manaus. In the film, the Tariano Indians of northwest Amazonia, after decades of missionary catechesis, have decided to make a cultural record for future generations. Honorable Mention at the XXXIII International Film Festival of Bahia, 2006; Honorable Mention in the 1st Amazonian Show of the Ethnographic Film. Manaus, 2006; - Anaconda Award for Best Documentary, Anaconda 2006, Bolivia. Special Jury Award, Tulane Latino Environmental Media Festival, New Orleans, USA, 2007; and Prize of the Popular Jury, 4th International Film Festival of Human Rights of Sucre, Bolivia, 2008.

IMIGRASOM
Country of Production and Production: Portugal
Direction and Production: Otávio Raposo and Olímpio Alves
Duration: 42 'Year: 2015

Sung in Creole or with a Brazilian accent, the immigrant rhythms spread the artistic panorama of Lisbon. From the center of the city to its outskirts, one can hear Funaná, Coladeira, Morna, MPB, Forró, Baião, in a musical polyphony that approaches other shores of the Atlantic. The immigrant musicians are the masters of these sonorities, capable of bringing people from very different social worlds together. But who are these artists? How did you come to Portugal? What do you think about your work and your art? The documentary ImigraSom goes to meet Brazilian and Cape Verdean musicians in search of answers. Stroll through the Cova da Moura dance floors, Bairro Alto bars and city streets, where music celebrates life and a world without borders.

PASSANDO À ZÉ MARÔVAS
Country of Production and Production: Portugal
Direction: Aurora Ribeiro Production: Ulysses do Monte and Pana Tainies
Duration: 30 'Year: 2007

In the old days, any tourist entering Badajoz in Portugal was forced to pass the door of Zé Marôvas - who thus attracted customers. Today, after the construction of the highway, Zé Marôvas remains waiting for hours without anyone entering your store. Documentary winner of the national short film competition at Doclisboa 2009.

KA'A'I - THE RITUAL OF THE MOTHER-GRASS
Country of Production and Production: Brazil
Realization: Guarani Community of Ribeirão Silveira (Bertioga / SP)
Images and Screenplay: participants of the Culture Spot "Arandu Porã"
Production: Indigenist Work Center / Guarani Community of Ribeirão Silveira
Duration: 20 'Year: 2014

Ka'a'i, yerba mate ritual, is held every year as a celebration of the arrival of the New Age (Ara Pyau). It is one of the moments in which the Guarani reaffirm their ties to their divine ancestors, the Nhaderu Kuery, and ask that they be strengthened.

TABLE-DEBATE

OTÁVIO RAPOSO - Filmmaker, anthropologist and researcher at the Center for Research and Sociology Studies (CIES-IUL), at the University Institute of Lisbon (ISCTE-IUL), and postdoctoral fellow in Anthropology, Fellow of the Foundation for Science and Technology FCT). He participates in research projects on themes of urban studies, youth, art, segregation and migrations in Portugal and Brazil. He is currently researching the artistic practices and political engagements of young people from the outskirts of Lisbon, as well as the public policies addressed to them. He made documentaries, such as "ImigraSom" and "Nu bai, The Black Rap of Lisbon".

LUZIA GOMES - poet; feminist black; museologist; anthropologist; professor of the Museology course at the Federal University of Pará, Ph.D. in Museology at ULHT. In September of 2017, with his own resources, he published his first book of poetry entitled "Ethnographies Uterinas de Mim" in the city of Lisbon, where he also participated with poems of his own in the collection called "Djidiu - The Inheritance of the Ear: Twelve Forms and One More to speak of the black experience in Portugal ". Co-Founder of the Nêga-Filmes Collective in partnership with the artist and academic Maíra Zenun Almada. And two years ago he published poems and other scripts daily in his blog "Poetic Ethnographies of Me".

Coordination of the Board: Cristina Lara Corrêa, Doctorate in Museology / ULHT

http://etnografiasdemim.blogspot.pt/